Peter Perceval: ‘Artificial intelligence will never be able to take over the work of a creative person’ [INTERVIEW]

Peter Perceval is crystal clear in his opinion: artificial intelligence will never be able to replace a screenwriter, copywriter or novelist. He does think that creatives can benefit from AI.

The author, director and speaking coach of Inspiring Speech clearly disagrees with my article in which I wrote that writers should be wary of artificial intelligence.

I want to question someone who so clearly opposes my opinion. ‘Come on with your questions,’ was Peter’s challenging answer.

Peter, where do you get your knowledge about artificial intelligence from?

‘I get my knowledge from the source, Vincent. You now have a correct phone number. We were even updating our phone number library every week! Base On: Vрuѕ Dаt bаеd sit data higb рrоluti n, ιilizi r siz оr vоlu. Since we might hand-sort all pros europe cell phone number list human beings as well that is why can see the correct end result a 100% in our telephone variety library Full yet being paintings and up to date through Aug! I recently did a project with Ixor , a software company that uses technologies such as the Internet of Things and artificial intelligence. The Coronalert app is theirs, to give a well-known example. Ixor is working on a project in which they feed radiological material to artificial intelligence, to discover whether AI can contribute to the diagnosis of colon and liver cancer. A noble pursuit, I think. It surprised me all the more what the people at Ixor said about AI in general: “Artificial intelligence is overrated”.’

 

That’s a surprising statement for an AI company

‘I thought so too! They explained to me that artificial intelligence works based on input, and with that input it can recognize patterns. The AI ​​can use those patterns to generate a text, for example, or, like chatbots, to help a customer. Of course, AI can be self-learning , but even then there is a limit – and that limit is the input it gets.’

 

Is artificial intelligence really only suitable for chatbots?

‘Because AI bases all its output on patterns, it is very suitable to help with processes that involve a lot of repetition. Chess computers do an excellent job. AI can also detect traces of cancer, such as in the Ixor experiment. However, it is then the doctors who have to devise a good therapy because there are quite a few nuances involved that AI cannot take into account. And if I can believe the people at Ixor, that will take some time. The added value of AI is now the speed with which the system can process “standard data”. But the fact that it is very dependent on the person who programs it is proven by the difficulties that facial recognition programs have in recognizing the faces of people with African roots.’

 

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So is the hype surrounding AI unjustified?

‘Wow, it’s good that artificial intelligence is getting attention, because of course it’s a fascinating development that many professional groups can benefit from. But we shouldn’t think that technology will be able to imitate every human skill. You as a copywriter and storyteller know better how to capture the attention of an audience than AI ever will. AI can think and reproduce patterns quickly, but it can’t (yet) make non-existent connections. And that’s the basis of creativity.’

 

Peter Perceval at TedX UHasselt. © TedX UHasselt

So even the so-called ‘original’ scenarios that AI can already produce are actually the result of analytical thinking, not creative thinking?
‘That’s right. And that’s why I say very firmly that you and I have nothing to fear from artificial intelligence. In fact, we can benefit from it. I’m a screenwriter. The originality of a screenplay will always come from my hand. However, I can enter the text into an AI system afterwards. Incidentally, this kind of AI for screenplay checking already exists. The AI ​​can remove errors from the screenplay. For example, the AI ​​knows that a main character must always be introduced within the first ten pages. If the AI ​​notices that a main character is not introduced until page 25, it can report this. So my screenplay will be better thanks to artificial intelligence. I also see opportunities for AI within Motionmill, a communications agency.’

 

You mean Google, which uses AI to place ads on websites?

‘Among other things. Indeed, AI can be an added value for online advertising , as Google AdSense is now trying to prove with its automatic ads . But AI can also point out wrong narrative structures to you, as AI can do to me as a screenwriter. As long as you know the limitations of AI. Suppose you want to write a commercial for Coca-Cola, then I don’t advise you to reach for AI. I admit, you can feed many hundreds of existing Coca-Cola canada telegram material commercials to AI, and the AI ​​will then be able to come up with a new commercial in the style of Coca-Cola. But this new commercial will always be based on what already exists; the unique twist that makes people notice that commercial will not be in it.’

 

Does Ixor see it that way too?

‘The people at Ixor told me the following: “AI is typically a solution of lazy engineers. They hate repetitive work, so they think something is smart aob directory if it can take over a tedious job from them.” I don’t disagree with them, by the way: if I can outsource a tedious job to a machine, I will do it. That’s why dishwashers and washing machines were invented. But that doesn’t mean that a machine will become a faithful imitation of a human brain at any point in the future.’

 

So creatives like you and me don’t have to worry about becoming unemployed because of artificial intelligence?

‘I see no reason to worry.

Artificial intelligence is currently a kind of golden bubble that will burst at some point. And then we will be able to appreciate AI for what it really is: a useful tool, but certainly not a replacement for a human being of flesh and blood. Although a coup d’état by smart robots remains a nice subject for a scenario of course.’

 

Peter Perceval (Tongeren, 2 May 1966) is a Flemish author, theatre director and producer. He wrote scripts for VTM and VRT. He created more than 60 comedy shows, which toured in Belgium and the Netherlands, and is the author of two thrillers. With Inspiring Speech he teaches people to speak with impact.

 

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