The project was designe on a global scale — you can see results for cities in China. The India. The France. The the UK. We wante to show the share experience of warming.” Source. New York Times Another central communication axis is that of visualization . “Personalization allows people to see how climate change directly affects them. But in order to tell the climate story. The one of the most important things is to make it visible to people. The ” says Hannah Fairfield.
Newspaper publishe
A project that brought both aspects together. The “ See How cell phone database the World’s Most Pollute Air Compares With Your City ’s . The ” uses augmente reality to show readers what air pollution looks like. The goal. to visualize pollution in the reader’s city on its worst day for air quality. The and then compare it to pollution during the California wildfires in 2018 and to pollution in New Delhi during extreme pollution spikes in late 2019.
New York Times Innovating
with new storytelling technologies Dataviz. The augmente reality. The your own team and diversity are the key to success aerial drone imagery . The or photojournalism – experimentation with new storytelling technologies is always on the agenda at the NYT. “We experiment a lot to present the news in new ways for the reader.” These new journalistic tools complement more traditional formats. The such as information on climate measures. “We nee all of these tools to tell the most powerful story about climate change and its long-term trends. The ” says Hannah Fairfield.
One example of this innovation can be found in a story mobile list about poorly regulate methane leaks at oil and gas sites in the Unite States. This “invisible climate threat” was made visible through a thermal imaging camera. The deploye by a videographer during the story. Then. The journalists juxtapose nake-eye images of the sites with images taken from the thermal camera to reveal the amount of methane that was leaking.